I somehow missed last year that Nashville’s Gibson Guitar, target of a notoriously militarized regulatory raid by the U.S. government (“When I got there, there were people in SWAT attire that evacuated our entire factory“) has not let the matter be forgotten among its customers. It has launched a product line called the Government Series II Les Paul, which “uses the wood that the Feds ultimately returned to Gibson after the resolution and the investigation was concluded.” (The raid was in service of the surprisingly cronyish and protectionist Lacey Act, which restricts import of various foreign woods.)

From the company’s announcement:

Government Series II Les Paul Great Gibson electric guitars have long been a means of fighting the establishment, so when the powers that be confiscated stocks of tonewoods from the Gibson factory in Nashville—only to return them once there was a resolution and the investigation ended—it was an event worth celebrating. Introducing the Government Series II Les Paul, a striking new guitar from Gibson USA for 2014 that suitably marks this infamous time in Gibson’s history.

Good going, Gibson.

Filed under: endangered species, music and musicians, regulation and its reform