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movies film and videos

American Booksellers Foundation for Free Expression:

There is a disturbing new trend in censorship legislation. Bills have been introduced in Utah and Louisiana this year that give private citizens the right to sue booksellers and other retailers for committing an “unfair” trade practice by selling “offensive” material to a minor. The defendants in these lawsuits would have to hire a lawyer to defend them and could be forced to pay thousands of dollars if they lost.

Earlier, the governor of Utah vetoed a similar measure aimed at video and game retailers.

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The Rev. Jeremiah Cummings, who sued the makers of the film “Religulous” for allegedly portraying him as money-hungry and a charlatan (clip), has himself been sued by two former followers who claim Cummings prevailed on them through a “scheme of deception and lies” to hand over several hundred thousand dollars in donations and investments which he then turned to personal use. [OnPoint News, Courthouse News with PDF link to complaint]

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Beyond Borat, bringing barristers bounteous business. [WSJ Law Blog]

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May 26 roundup

by Walter Olson on May 26, 2009

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May 24 roundup

by Walter Olson on May 24, 2009

  • Souter’s middle-of-the-road views on litigation didn’t fit conventional patterns [Copland, PoL]
  • Champerty and maintenance watch: new fund invests in commercial litigation for a share of the payouts [Fortune mag via Zywicki]
  • Report: distributor of “Religulous” film “has served a written settlement proposal” to preacher depicted onscreen [OnPoint News, earlier]
  • U.K.: “Homeowner Suit May Stop Village Cricket” [Telegraph via Never Yet Melted]
  • Overlawyered sparks a discussion across usual lines on EMTALA, the federal law on emergency medicine [Kennerly]
  • Federal Circuit: think twice before proceeding with frivolous appeals [David Bennett, Law.com]
  • Father-son duo who have served as key expert witnesses in litigation alleging autism-vaccine link push risky and questionable therapy for the condition [Chicago Tribune and second article and PDF graphic via Orac; Kathleen Seidel]. Waste and harm that go on in the name of treating autism should give pause to many sides in health care debate [Tyler Cowen]
  • One “deadbeat dad’s” story [Amy Alkon]. Forthcoming Lifetime reality show sounds like it will showcase harassment of fathers in child support arrears [Fathers and Families via Instapundit]

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The suit mentioned earlier does raise the question: under California’s stringent anti-discrimination Unruh Act, does the entertainer really count as a “business establishment”?

The new king of the infomercial is Vince Offer, whose abrasive ads for, well, $20 rags and overpriced plastic kitchen gadgets have made him millions and won him an extensive YouTube following.

But Offer thinks he’s an actor/writer/director, though has demonstrated little talent for it; his Underground Comedy Movie, starring such lights as Joey Buttafuoco and Angelyne, got risible reviews.

Of note for this page is that he has had even less success as a litigant. In 1998, Offer brought suit against the Farrelly brothers, implausibly claiming that their hit There’s Something About Mary was plagiarized from his movie. (The Farrelly brothers weren’t impressed: “We’ve never heard of him, we’ve never heard of his movie, and it’s all a bunch of bologna.”) Unfortunately, by bringing the suit under federal copyright law, Offer exposed himself to one of the few two-way fee-shifting statutes out there, and a federal judge had little trouble (literally) rubber-stamping a motion for summary judgment and an order requiring Offer to pay over $66 thousand in attorneys’ fees. (Offer v. Farrelly, Case No. CV 98-7697 RAP(RCx) (C.D. Cal. Jan. 13, 2000); id. (Mar. 14, 2000)).

Offer’s also brought suit against Anna Nicole Smith, and issued a press release threatening to sue The Church of Scientology, but I’m not inclined to spend $4.75 to learn about those cases.

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Rev. Jeremiah Cummings of Orlando wants $50 million from Lionsgate for his unflattering portrayal on screen, saying Bill Maher and his filmmaking team did not level with him about the kind of movie they were making. However, as Matthew Heller notes, similar remorse suits over Sacha Baron Cohen’s “Borat” mostly flopped, with eight of nine thrown out before the discovery stage.

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Slumdog Millionaire

by Ted Frank on January 22, 2009

The Bollywood masala homage, Slumdog Millionaire, received ten Oscar nominations today, including one for best picture. It’s an excellent movie, if one forgives the entertainment world’s plot device of having a game show take place live, when in fact virtually all of them are taped.

And where there’s success, there’s those who try to hijack it for their own publicity stunt. Such is the case of Tapeshwar Vishwakarma, who is suing two Indians associated with the movie, A R Rahman and actor Anil Kapoor, claiming that the use of the word “slumdog” is defamatory to Mumbai slumdwellers, and will get a court hearing on February 5. (Kapoor uses the word in the movie.) I know not Indian defamation and free speech law–this strikes me as the sort of issue Salman Rushdie had with people who did not grok the concept of “fiction”–but until this case is dismissed, let us hope Vishwakarma does not get a hold of Huckleberry Finn. (AFP, “Slumdog stars sued for defaming slum-dwellers”, Jan. 22).

“The federal appeals court in Atlanta says a woman who took part in sexually explicit contests at a Daytona Beach, Fla., hotel two months shy of her 18th birthday cannot sue over Internet images of her, even though she was a minor.” [AP; Atlanta Journal-Constitution] We had a discussion of similar, more successful litigation a couple of years ago here and here.

“The unauthorized placement of a pinball machine in a Mel Gibson movie might have technically violated the copyright laws but it is not actionable, a federal judge has ruled.” In the 2000 movie “What Women Want”, a Silver Slugger pinball machine is fleetingly visible in one scene, never for more than a few seconds at a time. Judge Denny Chin sensibly ruled that the pinball maker had no right to sue Paramount for royalties given that the machine is a mere element of the background: “It never appears by itself or in a close-up. It is never mentioned and plays no role in the plot.” (Mark Hamblett, NYLJ). Earlier here, here, etc.

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CalBizLit (Dec. 12) provides a guided tour to an area of disabled-rights litigation we’ve touched on several times in the past: see Aug. 1, 2004, Nov. 11, 2003, and links from there.

Adding color to the legal woes of the controversial American Apparel chief is the identity of the lawyer suing him, Keith Fink, Esq., who’s known for getting negative tidbits about his Hollywood adversaries into the papers. (Alex Ebner, Hollywood Interrupted, Nov. 30; WSJ law blog, Nov. 12). Earlier here, etc.

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Turns out there’s a city in southeastern Turkey by the name of Batman. And its mayor wants royalties. “‘The royalty of the name “Batman” belongs to us … Road sign on leaving city of Batman, Turkey There is only one Batman in the world. The American producers used the name of our city without informing us,’ [Mayor Hüseyin] Kalkan told to the Dogan news agency”. Per a local newspaper, one problem for expatriate Batmanites who operate shops and restaurants in countries like Germany is that using their hometown in business names might invite unfavorable attention from Hollywood IP lawyers. (Safak Timur, Hurriyet, Nov. 7; io9; Defamer). Image: Bryce Edwards, Flickr via Wikimedia Commons, Creative Commons Attribution 2.0. More: WOW Report, Brian Doherty (”disturbingly Borat-esque”).

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It’s not often that patent litigation furnishes the subject of a new Hollywood film; inventor-side attorneys must be hoping the David-and-Goliath theme of the Universal Pictures release Flash of Genius redounds to their benefit. (Brian Baxter, AmLaw Daily, Oct. 3). The original New Yorker article on which the film is based is by no means devoid of balance, and includes a discussion of the late Jerome Lemelson, a longtime Overlawyered favorite (John Seabrook, The New Yorker, Jan. 11, 1993). Unrelatedly, a patent attorney turns up as the lead character of a fiction thriller in Paul Goldstein’s “A Patent Lie” (Stephen Albainy-Jenei, Patent Baristas, Sept. 29).

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Prof. Obbie (LawBeat) wonders (Oct. 7) whether an NPR interviewer could have been bolder in challenging the owner of Rin Tin Tin Inc. when she asserted that her trademark lawsuit against a Hollywood studio was not about the you-know-whats.

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“Well, that didn’t take long. One day after RealNetworks releases its DVD copying software, lawsuits are filed. Who’s right, who’s wrong, and where do movie fans fit in?” And are movie industry lawyers going to replace RIAA’s as a target at the center of customers’ dartboards? (Robert X. Cringely, InfoWorld, Oct. 1). More: Cory Doctorow, BoingBoing on the peculiar press-anonymity of some of the lawyers (h/t commenter Orval).

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August 20 roundup

by Walter Olson on August 20, 2008