The news that New York’s Gilbert & Sullivan Players have canceled a production of The Mikado because it was accused of purveying anti-Japanese stereotypes, and because there had been objections to Caucasian actors singing the parts, prompted me to write up a short piece in the new Weekly Standard on how the beloved operetta might be modernized for contemporary, social-justice-attuned ears:
So he decreed, in words succinct,
That all who flirted, leered, or winked,
Without consent-form double-inked,
Should forthwith be beheaded…
Correspondent Corey Bean contributed a verse:
My object all sublime
I shall erase the line —
Between micro-
aggressions and crime —
Between mere offense and crime;
The company for now is going to switch to a production of The Pirates of Penzance. “So now pirate-shaming is supposed to be okay?” Read the whole thing here.
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Does this mean I can never again see Shakespeare with American actors?
Not to mention the fierce competition over several centuries to cast an Illyrian as Duke Orsino for Twelfth Night.
And whatever will the studios do with all those Victor Mature movies?