To fit the crime: a social justice “Mikado”

The news that New York’s Gilbert & Sullivan Players have canceled a production of The Mikado because it was accused of purveying anti-Japanese stereotypes, and because there had been objections to Caucasian actors singing the parts, prompted me to write up a short piece in the new Weekly Standard on how the beloved operetta might be modernized for contemporary, social-justice-attuned ears:

So he decreed, in words succinct,
That all who flirted, leered, or winked,
Without consent-form double-inked,
Should forthwith be beheaded…

Correspondent Corey Bean contributed a verse:

My object all sublime
I shall erase the line —
Between micro-
aggressions and crime —
Between mere offense and crime;

The company for now is going to switch to a production of The Pirates of Penzance. “So now pirate-shaming is supposed to be okay?” Read the whole thing here.

3 Comments

  • Does this mean I can never again see Shakespeare with American actors?

    • Not to mention the fierce competition over several centuries to cast an Illyrian as Duke Orsino for Twelfth Night.

      • And whatever will the studios do with all those Victor Mature movies?